Essential Blues Recording
Johnny Shines And Robert Lockwood – Post-War Blues Virtuosos At The Pinnacles Of Their Titanic Competencies
Johnny Shines And Robert Lockwood – Johnny Shines And Robert Lockwood – Paula Records PCD-14
This is an indispensable 20-track compilation by two of the most heralded names in the blues tradition, one that presents ten cuts each by Shines and Lockwood. Assisting Shines on certain of his astounding sides are Al Smith, Moody Jones, Walter Horton and Snooky Pryor on harmonica, (and possibly Alfred Elkins on bass), while Lockwood’s sides see Sunnyland Slim providing piano support (and sings on two sides), Moody Jones on bass, and Alfred Wallace singing on a couple of cuts and drumming. Shines plays guitar and sings on all his tunes, while Lockwood likewise offers guitar on all his selections and sings on five of the outings. Alex Atkins presents tenor saxophone on two of Lockwood’s songs.
These outstanding cuts were all recorded in Chicago, Illinois between February, 1951 and early 1955 for the JOB label, a period when both of these esteemed bluesmen were at the peaks of their skill sets.
Shines is certainly at his most fundamental and powerful within this format, one that eschewed drums. That set-up placed the emphasis exactly where it should be on Shines’ magnificent guitar attributes and that muscular voice. Horton’s weaving harmonica is the perfect complement.
Certain of the Lockwood selections actually find him as the accompanist; but make no mistake, his intricate and always-inventive guitar excursions cause his work to rise to the top of any tune he’s a part of. Lockwood’s more mellow approach stands in a divergently cool contrast to Shines’ guitar style.
This is a classic blues compilation that is essential to any well-curated blues collection.